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Science and art are the obverse and reverse of Nature's medal; the one expressing the eternal order of things,in terms of feeling,the other in terms of thought.
Science has long had an uneasy relationship with other aspects of culture.Think of Galileo’s 17th-century trial for his rebelling belief before the Catholic church or poet William Blake’s harsh remarks against the mechanistic worldview of Isaac Newton.The schism between science and the humanities has,if anything,deepened in this century.
Until recently the scientific community was so powerful that it could afford to ignore its critics--but no longer.As funding for science has declined,scientists have attacked “anti-science” in several books,notably Higher Superstition,by Paul R.Gross,a biologist at the University of Virginia,and Norman Levitt,a mathematician at Rutgers University; and The Demon-Haunted World,by Carl Sagan of Cornell University.
Defenders of science have also voiced their concerns at meetings such as “The Flight from Science and Reason,” held in New York City in 1995,and “Science in the Age of (Mis) information,” which assembled last June near Buffalo.
Anti-science clearly means different things to different people.Gross and Levitt find fault primarily with sociologists,philosophers and other academics who have questioned science’s objectivity.Sagan is more concerned with those who believe in ghosts,creationism and other phenomena that contradict the scientific worldview.