英语翻译在二十世纪七十年代,美国艺术史家琳达·诺切琳在《艺术新闻》上发表了一篇重要论文《为什么没有伟大的女性艺术家?》,

The seventies of the twentieth century,the United States art historian琳达诺切琳in the "Art News" published an important paper,"Why is there no great women artists?",Which led to the field of art history with an unprecedented lively discussion.Despite the large amount of evidence to the contrary,but the problem is obviously not random.Johnson back in the sixties the "Art History",in relation to any non-income women artists.Thus,feminist artists began at this time "to rewrite art history" of a long journey.
Feminism into the Chinese art of the time mainly in the nineties of the last century.In particular,was held in Beijing after the World Conference on Women.In this short span of ten years,the rapid spread feminist thought in contemporary China among creative women.Admittedly,this is thousands of years to form in the traditional concept of women,women artists,a new perspective and new systems and strategies.So that their awareness of male society,women's status in order to break up the aesthetic needs of a man's aesthetic needs,awareness of male-centric form of social ideology in the "truth" to challenge to challenge.
Can not be ignored,however,with the number of opportunities,a number of female artists of the beginning of more utilitarian.Some women artists and women,if faced with an arts-related exhibitions,she stressed that the identity of their own women.Instead,it stressed that he is not a female artist,but a gender-artists,will be with the feminization of the winding sense of the way,infinite repeat,a very feeling way too early and even the brand of style and a way as a fixed style.On this point of view,our circle of contemporary art of the quick success and instant benefits whether there is any serious problems?
In essence,the artist should be a personal,rather than sex.If when the (female artists) and artistic creation,the "feminist" become a label,this is undoubtedly the status of women belittle.It is also the acquiescence of many standards are not subject to conscious.Is the Western feminist movement of the results arising from a negative.In fact,the early style,and brand,first of all is the artist's own injury.This paper attempts to consider "the way" and "awareness" for feminist art criticism and the importance of creativity in order to facilitate our Feminist Art in the face of complex and difficult when the cultural background of the way forward to maintain the initiative and a clear stance.